The Purrs' sound has earmarks of a myriad
of bands from yesterday and today. The tight rhythm section calls
to mind the Dandy Warhols. Guitarist Jason Milne's spindly, atmospheric,
other-worldly guitar reminds you of Will Sergeant or Tom Verlaine.
Jima's deadpan vocals indicate a deference to Dean Wareham with
a touch of Mick Jagger. But make no mistake though, The Purrs are
no 'retro' band, content
to just duplicate a sound from years passed.
The Purrs' strength lies in their great
collective sense of composition. Their songs are full, but not
cluttered. The rhythm guitar is actually an integral part of
the music — not just filler that is barely
audible. Seeing them for the first time at the Crocodile a few
weeks ago, I was amazed at the symmetry of their sound. Far too
many bands seem to bludgeon audiences with a wall of sound that
blurs the finer points of the effort. Not so with the Purrs. Their
songs are carefully crafted, where every note from every instrument
has a purpose.
At the core of their sound is the impressive guitar work from
Jason Milne. Never spinning out of control, Milne plays with precision
and imagination. It is a pleasure to watch him work like a mad
scientist in the background, adding quirky textural bits to the
songs, providing the perfect compliment to Jima's impassioned vocals.
The Purrs are steadily growing a following in town. Their music
is getting a great deal of airplay on KEXP and I suspect that it
is only a matter of time before they are signed to a record deal.
Thursday's CD Release Party at the High Dive should attract a good
number of new fans, so be sure to get there early.

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